Mycelium by Wilda Morris

At Grandmother's Table circa 1948 by Elizabeth Langemak

Taste by Patridge Boswell

Lullaby by Edward Mayes

Shakespeare by James B. Nicola

Summer Night by Diane Giardi

100 Words on My Father with a Big Fish by Jan Presley

Why go to heaven yet by Margo Davis

Roll Over Beethoven by Jonathan Pacic

limnophila aromatica by Susan Soriano

Bantams by Heather Bourbeau

Salt by Carolyn Wells

It Won't Taste the Same by Michelle Morouse

The Fallacy of Comparisons by Paul Lieber

Ode to End of Summer by Wally Swist

408 Dates with Maureen by Gail Bellamy

Taste Testing by Sarah Fawn Montgomery

A Meditation on Working as a Produce Clerk by Ross Stager

Le Fouquet by Elisa Albo

Two Poems by Sarah Paley

Transubstantiation by Susan O'Dell Underwood

Two Poems by Sharon Abra Hanen

Strawberries by Vincent Peloso

Chin Chin by Jessica M. Brophy

Nonpareil by Lois Rosen

Creating Foodie Monsters by Elisa Albo

Foods I Love by Meredith Drake

Three Poems by Terence Winch

Soufflé by Piscilla Atkins

Three Poems by Gail Peck

Under the Kitchen Floor by Bruce Cohen

Spring Peas Come to the Stores by Hannah Fischer

Two Poems by Grace Bauer

Kettle by Susan Kelly-DeWitt

Going to Get Swedish by Carol Berg

Potluck on Sulphur Creek by Brenda Butka

My Mother's Handwriting by Julia Wendell

Radish by Lauren Henley

The Way of the Buddha by Nadia Ibrashi

Famine Bread by Karen Holmberg

Leer Comida by Andrés Catalán

Cooking Show by Gary Mesick

Museum of Butter by Carol Jenkins

Two Poems by Crystal Simone Smith

Yardbird Suite by John Dufresne

The Fallacy of Comparisons

by Paul Lieber

November 2014    

I walk with a slice in each hand,
one from Ray’s, the other Joe’s,
down mugger-free 6th avenue
and I could be comparing
Vernal Falls in Yosemite to
Misty Falls in Sequoia, I could
be comparing my high school girl
to my college one, an arm around each, a kiss,
an embrace, an entry with proof
not possible, nothing proved, except
frivolity. There might be parallels
to the fall of Rome on this,
my last day of atheism. The start
of belief in a thin or thick crust with a splash
of red sauce, speckled with parmesan
and a nibble, the slightest nibble
of corn meal, yes a tingle of corn meal
humming in the dough. But wait,
not in either slice, that’s in
Two Boots Pizza on Avenue A.
For now it’s tangy or not, one
with traditional tomato sauce
in one bite while marinara with
garlic is poised in another and
this contest rages with no
winner in sight, but I’m rounding
6th Avenue, heading for Bleeker Street Pizza
where they combine crust not too thin
but on the thin side with a spicy
but not too spicy…. or then again I can
break away from orthodoxy
into a mozzarella rapture
with dervish basil spinning on top,
erupting in an operatic climax.
I swing onto the street in my oven
of anticipation as heavenly bursts
of ricotta, oregano and
the thinnest slices of pepperoni
begin to shower, to pour down
into the belly of Waverly Place.


  Paul Lieber’s collection, Chemical Tendencies, published by Tebot Bach, was a finalist in the MSR poetry contest. Paul also received an honorable mention in the Allen Ginsberg Contest. Paul produces and hosts “Why Poetry” on KPFK radio in L.A. and Santa Barbara. Paul’s poems have appeared in The Moth, N.Y. Quarterly, Patterson Review, Askew, Alimentum, and many other journals and anthologies. Paul works as an actor and has performed on and off-Broadway and in numerous films and TV shows. He has worked as an adjunct Professor in Creative Writing at Loyola Marymount University and lives in Venice CA. Visit his website at paullieber.com.


Photo used under Creative Commons.